The Ray Holder Series

Birmingham noir, one case at a time.

Ray Holder was a good detective. Circumstances pushed him to the margins, and now he works a depot, drinks in the Labour in Vain, and keeps getting pulled back into the cases the city has already agreed to close.

Four books so far — a free prequel novella and three novels. Slow-burn stories, lean books. Under two hundred pages each, no padding, and every one of them a complete story on its own.

Where do I start?

Short answer: anywhere. Every Ray Holder book is written to stand alone, and none of them ends on a cliffhanger. If you’d rather watch Ray change in order, this is the order.

  1. Clean Hands — the prequel novella

    Ray is still Detective Sergeant Holder, and still inside the machine. A bank manager turns up dead in the Sidings and his bosses want it filed as a mugging by Friday. This is the shortest way to find out whether the series is for you — it costs nothing and reads in an evening.

    Get Clean Hands free →

  2. Murder on the Stairs — Book 1

    Years later, Ray isn’t a copper any more. He’s a neighbour. When Yasmin Khan is found dead on the stairwell, the estate settles into its whispers — and Ray reads her notebook instead.

    Read more →

  3. The Cut — Book 2

    A body under the ring-road underpass and an easy answer nobody wants examined. The deeper Ray digs, the quieter the estate gets.

    Read more →

  4. Hit and Run — Book 3

    A housing activist killed on Icknield Port Road, a developer’s name where it has no business being, and a city that starts pushing back the moment Ray picks up where she left off.

    Read more →

A fictionalised Birmingham

The geography is real — Icknield Port Road, the ring road, the canals, the subways underneath them. The estates and institutions are invented. The Cut is not a real place; neither are the police stations or the debt firms with the corporate brochures.

That’s the same arrangement Ian Rankin has with Edinburgh, and it exists for a practical reason: use a real city and you have to get every detail right, and you never will. A half-invented city gives a writer room to breathe and a reader room to believe it.

A lit pedestrian subway under a Birmingham ring road, graffiti on the walls
The subways under the ring road — the built environment the series is made of.

Before you start

Do I need to read the Ray Holder books in order?

No. Every book is written as a complete story with its own case, its own resolution and no cliffhanger. Reading in order lets you watch Ray change over time, but you can start with any of them — a lot of readers begin with whichever cover caught their eye.

How long are the books?

Under fifty thousand words each — roughly two hundred pages. Short chapters, clipped dialogue, no padding. They are built to be finished in an evening or across two or three commutes.

Are the Ray Holder books violent?

There is violence, but it is never casual and it is never the point. These are slow-burn, socially grounded crime novels about institutional failure and what it costs to ask for help — the tension comes from paper trails and doors closing quietly, not from set pieces.

Is Birmingham in the books the real Birmingham?

Partly. Real street names and real geography, invented estates and institutions. The Cut is a fictional estate; the businesses and police stations are made up. It is a fictionalised Birmingham, in the tradition of Rankin’s Edinburgh.

If I like Ian Rankin or Denise Mina, will I like these?

That is the shelf they belong on — British, socially grounded, morally complicated crime fiction, with a lineage that runs back through Ted Lewis and the 1960s–80s British paperback tradition. The difference is length: these are deliberately lean books rather than five-hundred-page ones.

Where can I buy them?

Each book’s own page on this site lists every format that exists — ebook and paperback — with the ISBN, ASIN and publisher details. There is no audiobook edition of any Ray Holder title at present.